Front 16
RUDIMENTS
OF
MUSIC.
Continued.
16.
When
only
a
part
of
the
previous
passage
is
to
be
repeated,
how
is
it
to
be
indicated?
By
dots
placed
in
the
spaces
at
the
right
hand
of
a
bar,
in
which
case,
all
between
the
two
sets
or
dots
is
to
be
repeated.
18.
What
does
the
Bis
imply?
That
the
passage
so
marked
is
to
be
performed
twice.
18.
What
does
the
hold
or
pause
denote?
That
the
tone
indicated
is
to
be
prolonged
a
reasonable
time
longer
than
other
notes.
19.
What
is
a
Unison
Passage?
A
passage
in
which
two
or
more
parts
sing
to
the
same
tones.
Unison
Passage.
Fine.
Bis
D.
20.
What
is
understood
by
the
letters
D.
C.
Da
Capo.
Close
with
the
first
strain.
21.
What
is
the
meaning
of
D.
S.?
Dal
Segno.
Return
to
sign.
22.
What
is
a
triplet?
Three
equal
tones
performed
in
the
time
of
two.
23.
How
do
we
know
them?
There
are
three
notes,
slurred
or
tied,
or
marked
with
a
figure
3.
24.
What
do
we
understand
by
a
Syncopation?
It
is
the
commencing
of
a
tone
on
an
unaccented
beat
of
a
measure,
and
continuing
it
into
the
following
accented
pulse,
temporarily
displacing
the
natural
accent.
SYNCOPATION.
25.
What
about
intermediate
tones?
They
occur
between
the
regular
tones
of
a
key.
26.
In
the
major
key
when
do
we
find
intermediate
tones?
Between
1
and
2,
2
and
3,
4
and
5,
6
and
7.
LESSON
IV-MODES
OR
MOODS
OF
TIME
AND
BEATING
TIME.
1.
What
are
modes
or
moods
of
time?
It
is
a
division
of
the
measure
into
the
proper
time,
counts,
pulsations
and
beats.
2.
Does
the
time
of
a
tune
ever
change
from
that
set
at
the
beginning?
If
so,
how
is
this
done?
Yes,
it
often
changes
in
some
composition
or
tune.
Whenever
the
change
occurred
there
is
placed
on
the
staff
whatever
mode
it
is,
the
figures
represent-
ing
that
particular
mode
of
time.
DIFFERENT
MODES
OF
TIME.
3.
How
many
modes
of
time
is
there
generally
used
in
music?
There
are
several
modes,
among
them
are
the
following:
Common,
triple
and
compound,
etc.
4.
How
many
modes
of
common
time
are
there?
Generally
three.
5.
What
are
they
called
and
how
do
we
know
them?
We
know
them
by
the
fractional
figures
placed
at
the
beginning
of
a
tune,
as
in
any
change
of
time
of
the
music.
6.
How
do
we
know
1st
mode
of
common
time?
Two
over
two,
has
two
beats
to
the
measure.
first
down,
second
up.
Having
a
semibreve,
or
its
equivalent,
thus:
for
a
measure
note.
It
is
rendered
in
three
seconds
to
the
measure.
In
some
books
it
is
called
double-time
or
two-two
time,
accented
on
first
part
of
the
measure,
on
the
down
beat.
7.
How
is
the
second
mode
known?
By
four
over
four.
Having
the
same
measure
note
as
the
first
mode,
performed
in
two
and
one-half
seconds
to
the
measure.
When
the
four-note
method
is
used,
and
has
four
beats
to
the
measure,
when
seven
shape
or
round
notes
are
used.
If
two
beats
they
will
be
down
and
up;
if
four
beats,
down,
left,
right,
up.
In
some
books
it
is
called
quadruple
or
four-four
time,
ac-
cented
on
the
first
and
third
parts
of
the
measure.
(See
example
below.)
8.
How
do
we
know
the
third
mode
of
common
time?
By
the
figures
Two
over
Four,
sung
in
one
and
one-half
seconds
to
the
measure,
having
two
beats
to
the
measure,
down
and
up.
It
is
called
in
some
of
the
books
double-time.
Accented
on
the
first
part
of
the
measure,
having
a
minim
for
measure
notes.
In
this
book
all
modes
of
time
have
only
two
beats
to
the
measure
except
triple
time;
it
has
three
beats.
TRIPLE
TIME.
9.
Explain
about
the
first
and
second
moods
of
triple
time.
The
first
mood
of
triple
time
is
known
by
three
over
two.
Rendered
in
three
seconds
to
the
measure
and
having
a
dotted,
semibreve
or
three
minims
to
the
measure.
Three
beats
to
the
measure,
down,
left,
up.
Some-
times
this
is
called
three-two
time,
accented
on
the
first
part
of
each
meas-
ure.
(Example
below.)
10.
How
do
we
know
the
second
mode
of
triple
time?
The
second
mode
of
triple
time
is
known
by
three
over
four,
two
sec-
onds
to
the
measure,
three
beats,
down,
left,
up.
Accented
on
the
first
beat
in
the
measure,
having
three
Crotchets
to
the
measure.
(Example
below.)
11.
How
about
the
third
mode
of
triple
time?
It
is
known
by
three
over
eight
rendered
in
1
1-4
seconds
to
the
meas-
ure.
Accented
on
the
1st
part
of
the
measure
it
has
three
beats,
down,
left,
up.
(Example
below.)